The Museum of Lost and Fragile Things: A Year of Salvage

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Suzanne Joinson
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Suzanne Joinson grew up in a 1980s council estate in Crewe, where her parents were followers of The Divine Light Mission cult. This clash of class and counterculture destroyed her family, leaving a legacy of turmoil and poverty.

Years later, she attempts to reclaim what she’s lost and piece together the impact of a childhood infused with esoteric yoga practices, psychedelic encounters, and meditation techniques. She acquires replicas of beloved objects that had to be destroyed in regular purges in the hope of restoring family ties.

The Museum of Lost and Fragile Things explores the realm of mother-daughter relationships and inherited trauma, in a moving, delicately-woven account of coming to terms with a complicated past.

Praise

‘A fascinating memorial to a complicated, traumatic childhood and its long aftermath.’
— Rebecca Stott, TLS

‘Tender, sharp and finally as moving as it is unflinching.’
— Andrew Hussey, New Statesman

‘Surprising and persuasive.’
The Telegraph

‘A complicated story told expertly with glassy clarity.’
— Good Housekeeping

‘Compelling stuff!’
Meath Chronicle

‘Inspiring and heart breaking. The best evocation of complex mother, daughter relationships I have ever read.’
— Lily Dunn, author of Sins of my Father: A Daughter, A Cult, A Wild Unravelling

‘A gripping portrait of a life, a relationship, a mind as it stretches and stretches.’
— Dr Noreen Masud, author of A Flat Place

‘A powerful portrait illustrating the dark side to hippy subcultures, it questions whether mind control can lead a mind to run wild. Joinson’s intimate portrayal of her ceaseless yearning to rescue and reconcile her loved ones from the mistakes of the past is gripping and moving. This is a beautifully written testament to mercy. It is everything those who have been left with nothing are looking for: to feel seen.’
— Jade Angeles Fitton, author of Hermit: A memoir of finding freedom in a wild place

‘Joinson’s memoir is a kind of reverse excavation where she hunts down objects to then bury them through her generous prose. Her hunt for material proof of a past that constantly shifts and slips is riveting, sad, but in many ways triumphant.’
— Jen Calleja, author of I’m Afraid That’s All We’ve Got Time For

‘In this beautifully crafted book Suzanne Joinson excavates a troubled past through everyday objects that hold stories and hide secrets. It’s both gripping and heartbreaking – I was hooked from the first page and it has stayed with me long after turning the last.’
Lulah Ellender, author of Grounding and Elizabeth’s Lists

‘Another childhood lived in the shadow of someone else’s dream; and an exquisite attempt, to piece its fragments back together.’
— 
Suzanne Heywood, author of Wavewalker: Breaking Free

‘Suzanne Joinson’s memoir opens up worlds within worlds, delicately sketching the precarious line between too much truth and not enough truth. This is a beautiful book. It is worth your precious time.’
Stella Duffy, author of Lullaby Beach

‘There’s such a lot to say about this book; Joinson’s evocation of a northern working class childhood, a life lived inside a cult and an adult struggle to understand those identities in a way that is truthful to her own experience and makes careful room for the perspective of others was something I could really personally connect with.’
— Jenn Ashworth, author of Ghosted: A Love Story

‘Growing up with parents in The Divine Light Mission cult, Suzanne Joinson opens a curtain on a rare world, a strange world, a world in which people and places are not what they seem. In this deeply moving and intimate memoir, The Museum of Lost and Fragile Things asks the big, universal questions: what makes a family, what is it to care for others, what is the power of words? The book collects missing pieces from Joinson’s childhood, gathering items once discarded by her family. So, aptly, there’s an extraordinary tactile quality to the writing and a joy in the ephemera of life: letters written on torn notepaper, curling edges of photographs, a tiny glass dolphin, secret diary entries. Graceful and clear-sighted, the memoir skillfully holds the complex, contradictory emotions of Joinson’s experiences: fury and compassion, fear and friendship, loneliness and sheer delight.’
— Gemma Seltzer, author of Ways of Living

‘A compelling, brilliantly constructed and emotionally devastating read.’
— Alinah Azadeh, writer and artist

‘A fearless and timely account of how the familiar shades into the unfamiliar, and how power shades into vulnerability. Unsettling and unforgettable, Joinson’s story speaks profoundly of the distortion and redemption of everyday things, which sparkle with strangeness in her hands.’
— Tamarin Norwood, author of The Song of the Whole Wide World: On Grief, Motherhood & Poetry

‘This is a truly profound and surprising book, layered with sorrows and insights, and beautifully structured around the everyday items that hold relationships together and sometimes break families apart.’
— Professor Annebella Pollen, Brighton University

‘Explores class and wealth, or lack of it, really well . . . This book was fascinating to me.’
— Elizabeth Chakrabarty, author of Lessons in Love and Other Crimes

‘A moving and unforgettable read that will break your heart with its pure honesty. Suzanne Joinson’s book is a powerful and unsettling reminder of the tenderness of the human spirit and how love and loyalty can triumph in difficult times.’
—  Cara Dillon, Northern Irish folk singer and author of Coming Home

‘In this haunting, elegantly written memoir, a writer looks back on a childhood lived at the knife-edge of existentialism, caught between the adults in her life, who will sacrifice everything to their predatory cult leader in exchange for promises of transcendence and immortality, and the oppressive norms of Thatcher-era Britain. Joinson powerfully evokes the sublime terror, beauty, and magic of girlhood, and audits complicated family bonds and rifts with stunning tenderness and clarity.’
—  May-Lan Tan, author of Things to Make and Break

Published: 5 September 2024
ISBN: 978-1911648680
Cover design: Luke Bird
Cover photographs: Ben Nicholls
Format:  Demy paperback with flaps

Publicist: Karen Duffy 
            KDuffyLiterary@gmail.com

About the author

Suzanne Joinson is the author of two novels, A Lady Cyclist’s Guide to Kashgar and The Photographer’s Wife. Her books are translated into fourteen languages, and she was a National Bestseller in the US.

Suzanne won the New Writing Ventures Award, was longlisted for the IMPAC International Literary Fiction Award, and is a member of the Folio Academy. She has been published in The New York Times, the Guardian, and Conde Nast Traveller. She lives with her family in Sussex.

The Museum of Lost and Fragile Things

“To grow up in both a ‘cult’ and in a working-class world (whatever those words might mean) was a confusing clash of identities or non-identities. I’d never tried to pull the elements apart, let alone arrange them back together into a story. It became important to find a composition for them, to build a house, a museum-space, and a room.”

TLS, 21 February 2025: An alternative museum dedicated to a complicated childhood

The Guardian, 20 December 2024: Audiobook of the week

Meath Chronicle, 14 December 2024: The week’s books

New Statesman, 13 November 2024: Books of the year 2024

The Robert Elms Show, 27 October 2024: Suzanne Joinson in conversation with David Grant

Good Housekeeping, 11 October 2024: The best books of autumn 2024, according to booksellers

Sussex Express, 29 August 2024: Chichester Lecturer unveils intriguing new memoir

BBC Radio Sussex & BBC Radio Surrey, 23 August 2024: Sarah Gorrell in conversation with Suzanne Joinson

The Telegraph, 18 August 2024: What it was like to grow up in a cult in Crewe in the 1980s

The Bookseller, 18 October 2023: The Indigo Press snaps up ‘extraordinary’ memoir from Joinson

Editor notes from Commissioning Editor Susie Nicklin

How many people really know their colleagues, do you think? When I worked in a small bookshop I certainly felt aware of people’s woes and joys – whose boiler had broken down, whose child was off sick, whose pet was ill (OK, maybe all those examples were me). Pragmatically, it always had an impact on the rota; emotionally, on a slow rainy day in February it’s impossible not to dwell on personal matters and to give others space for theirs.

I first met Suzy Joinson twenty years ago, when we worked together at The British Council. During that time she got married and had two children, and I would have said I knew her quite well, especially because she subsequently published two novels to great acclaim.

Fast forward to spring 2022 and I was in Chichester, where Suzy teaches creative writing, with my author Nataliya Deleva, who gave a presentation to the MA students. In the pub afterwards Suzy said shyly, I’ve written a memoir. To be honest I wondered, what about? And then her agent sent it to me and I read it, and was amazed.

Here was a story of huge resilience, of someone writing her way out of a cult in Crewe and into a life founded on art. Much of it was shocking, as well as highly moving, but all of it was gripping and powerful.

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