Priya Hein
The Indigo Press is an independent publisher of contemporary fiction and non-fiction, based in London. Guided by a spirit of internationalism, feminism and social justice, we publish books to make readers see the world afresh, question their behaviour and beliefs, and imagine a better future.

Priya Hein
Priya Hein is a Mauritian author whose first novel Riambel won the Prix Athéna 2023 and The Jean- Fanchette Prize 2021.
She was nominated for the 2017 Astrid Lindgren Memorial Award, shortlisted for the Prix de l’Atelier Littéraire in 2021 and the Miles Morland Scholarship in 2023, and participated in the 2024 Iowa IWP fall residency. Priya lives in Mauritius with her family.
Tamarin
Tamarin Bay, Mauritius, is a travel agent’s paradise: a tropical ocean, fishermen unloading their daily catch, children building sandcastles, surfers riding giant waves.
But just along the shoreline is the beach of La Preneuse, the taker of souls. The island is haunted with tragedy and the remnants of colonial rule.
But it is also home, where Anita Ram longs to be following the collapse of her marriage. After enduring a shocking betrayal and the sexism and racism of a cold Britain in the early twenty-first century, she finds comfort in simple things; her mother’s cooking, her childhood bedroom, and a handsome architect.
Will these be enough for Anita to find happiness again, or will the ghosts of her past consume her?
Following the international success of her debut Riambel, Hein’s heart-wrenching new novel reveals the violence and beauty inherent in her native Mauritius.
Riambel
Winner of the Jean Fanchette Prize 2021
Fifteen-year-old Noemi has no choice but to leave school and work in the house of the wealthy De Grandbourg family. Just across the road from the slums where she grew up, she encounters a world that is starkly different from her own – yet one which would have been all too familiar to her ancestors. Bewitched by a pair of green eyes and haunted by echoes, her life begins to mirror those of girls who have gone before her.
Within Noemi’s lament is also the herstory of Mauritius; the story of women who have resisted arrest, of teachers who care for their poorest pupils and encourage them to challenge traditional narratives, of a flawed Paradise undergoing slow but unstoppable change.
In Riambel, Priya Hein invites us to protest, to rail against longstanding structures of class and ethnicity. She shows us a world of natural enchantment contrasted with violence and the abuse of power. This seemingly simple tale of servitude, seduction and abandonment blisters with a fierce sense of justice.





